Monday, March 27, 2017

COMICS IN REVIEW: IRON FIST #1 (2017)

Hello everyone! As some of you may know, I am writing for the website COMICONVERSE. I have been covering the current comic books from Marvel Comics and BOOM! Studios such as Doctor Strange and Kong of Skull Island.

For myself and anyone else interested I am documenting each of my articles here at Blood Work.

If you haven't checked out this latest article here you go!


It comes as no surprise that Marvel Comics would release a new Iron Fist ongoing series in tandem with Netflix's recent Iron Fist television series. For a fan of Iron Fist this is a welcomed side-effect of the Netflix series. I wasn't terribly enthusiastic about the last Iron Fist book by Kaare Andrews, but this book has the potential to blow my socks off! First off, the art work is amazing! It's by an artist named Mike Perkins whose quickly becoming a favorite of mine. I haven't read anything from writer Ed Brisson before but already I like where he's taking this story. He's taking Danny Rand and putting him in a plot that's one part Rambo III, one part Ong Bak, and shaping up to look like Enter The Dragon.

It's like this book was made for me! Check out my review by clicking the link above.





Wednesday, March 22, 2017

BLOODY GOOD TELEVISION: NETFLIX ORIGINAL SERIES ~ IRON FIST SEASON 1


The final Defender is here! Netflix recently released a new original series from Marvel: IRON FIST. Iron Fist is the fifth season in Netflix's build towards the DEFENDERS which began back in April of 2015 with Daredevil. There have been two seasons of Daredevil and one season each of Jessica Jones and Luke Cage. Now we are introduced to Iron Fist, perhaps the strangest hero in the bunch and potentially the most powerful hero among the Netflix Marvel crowd.

Iron Fist first appeared in May 1974 in Marvel Premiere #15. Created by writer Roy Thomas and artist Gil Kane, but the team who really developed the character and story were Chris Claremont and John Byrne. The character appeared at a time when Kung Fu films were being exported from China and Hong Kong. It was the height of the exploitation era of the 1970's, an era in which some today would say was shameful. Marvel Comics tried to cash in on many of the popular topics of the exploitation era including "Blaxploitation," 70's horror, and kung fu.

Marvel's two major kung fu exploitative characters released at the time were first SHANG CHI: THE MASTER OF KUNG FU and secondly Iron Fist. Shang Chi, as the name implies, was a Chinese man (Marvel's version of Bruce Lee essentially) while Iron Fist was the traditional white American male in a foreign land. Of the two of them Shang Chi seemed the more successful for the time. However, in recent years it has been Iron Fist who has endured far better. Both characters were similar in that they are perhaps the greatest hand-to-hand fighters in the Marvel universe. Iron Fist focused more on Chinese mythology and mysticism while Shang Chi was more of a super spy and secret agent (Like Bruce Lee in ENTER THE DRAGON).

Personally I love both characters and would love to see both of them come to the screen. Iron Fist is one of my top ten favorite Marvel characters. When Netflix announced the host of characters they were going produce into television shows it was Iron Fist I personally was most excited for. While Daredevil, Jessica Jones, and Luke Cage are equally great characters or even greater in many respects, I personally wanted to see Iron Fist the most. Having to waiting almost three years for Iron Fist to get here has been a challenge to say the least.

But the wait is over!

THE PLOT

Danny Rand, the long believed deceased son of the Rand Corporation founder Wendell Rand, returns after 15 years. The problem is no one believes it's really him. To reclaim his birthright and inheritance as majority shareholder of Rand Corp, Danny needs to convince everyone he is who he says he is. To begin with he has to explain where he has been for the last 15 years: K'un Lun, one of the seven capital cities of Heaven. There in K'un Lun he was trained in the martial arts and earned the power of the Iron Fist. What exactly the Iron Fist is even Danny doesn't fully know yet. Now back in New York Danny discovers his company is being used as a front to sell drugs. And on top of that, the evil group known as THE HAND have infiltrated his company too. Danny embarks to rid Rand Corp of these infections and vanquish The Hand once and for all.

WHAT I LIKED

Now, I was an Iron Fist fan prior to this. So take my words as slightly biased.

The Beginnings of a Hero. In current comics Danny Rand is in his mid-thirties and already quite proficient at using his powers. He is a force to be reckoned with who could take out the Hulk if need be. Instead of this, the Netflix show presents Danny Rand as a 25 year old man, still very immature and unsure of his powers. At age 25 he is the youngest of Netflix's Marvel heroes as well as the most inexperienced. Yet he has potentially the greatest power of them all. By the end of the show he is still only just realizing the extent of his powers. This makes Danny unique among his fellow Netflix Marvel heroes and gives his character plenty of developmental potential for the future. Running themes throughout the show include an emotional balance and focus of chi. Only through a calm state of mind can Danny fully utilize the power of the Iron Fist. Being a young and immature character, finding his balance becomes a big journey for Danny.

The Setup. As a fan of Iron Fist I thought the groundwork and foundation of Iron Fist's world was very well executed. The setup of K'un Lun was true to the comic albeit sparsely shown in the show. The Trial of Shou Lao the Undying (how one acquires the Iron Fist power) was established along with Danny's relationships with Lei Kung ~ The Thunderer and Davos. The concept of the Immortal Weapons was touched on as well. All in all, the mythos of Iron Fist and concepts surrounding the character were setup accurately according to the comic.

The Meachums and Rand Corp. One of the central aspects of Iron Fist's story is his company Rand Corp. When Danny returns from K'un Lun he discovers his company has been taken over by the Meachums. Iron Fist's first major long term conflict is the battle to reclaim his company from the Meachums. The Meachums are critical to Iron Fist's origins and Netflix does that story admirable justice. Chinese martial arts mysticism mixed with corporate espionage has always been a unique aspect of the Iron Fist comic, though not always the focus.

Colleen Wing and Davos. Two more characters central to Iron Fist's comic are Colleen Wing and Davos. Actress Jessica Henwick plays Colleen Wing and does an amazing job. She could carry her own show as Colleen Wing if given the chance. Colleen is part of a duo with Misty Knight called THE DAUGHTERS OF THE DRAGON and I'd love to see Netflix tackle that story too. And then there's Davos, son of Lei Kung (Danny's teacher and master in K'un Lun). Davos was Danny's best friend and greatest rival in K'un Lun. Their relationship is... complicated. Netflix sets up this relationship perfectly.

NITPICKS

In an ideal world Iron Fist should have the best fight sequences of all of the Marvel heroes, movies and television alike. No one save Shang Chi can rival Iron Fist's martial arts skills. Well, this isn't an ideal world and the fight scenes, while better than both Luke Cage's and Jessica Jones' in my opinion, feel a bit unrefined and not photographed as well as they could've been. It makes me realize how truly special the team behind the Daredevil show really is to have achieved such incredible fight scenes. Again, the fight scenes in Iron Fist aren't bad by any stretch. Sadly though, when one compares the fights to Daredevil, Iron Fist comes up a bit short.

Corporate corruption and espionage plays a good role in the Iron Fist comic and is among Iron Fist's original saga. But having read more than just the first saga, there are other Iron Fist stories I prefer over the battle against the Meachums. But those stories involve a more mature and experienced Danny Rand. I speak of stories centered in K'un Lun with a heavy focus on mysticism. Netflix sadly is not equip to portray such stories well. It would require an HBO Game Of Thrones budget and Netflix simply doesn't have those kinds of resources for a Marvel show... yet. Going with the Meachum's story was a wise choice since perhaps no other story of Iron Fist's could be done the justice they deserve.

Other nitpicks I have include the portrayal of THE BRIDE OF NINE SPIDERS. She is a part of the Immortal Weapons in the comics and my favorite among them next to Iron Fist. She looked good in the show but how they used her storywise was disappointing to me. Also, we never get to see Iron Fist in his costume! Even Luke Cage had one scene with him in the classic yellow and blue costume equip with bracelets and tiara too!

In service of the Defenders. One of the problems I thought the first Captain America film had was that in many aspects it functioned as a prelude to the Avengers film. It had a somewhat obligatory feel and not entirely its own entity. I still enjoy the first Captain America very much and feel the filmmakers did the best they could in those circumstances. In the same way Iron Fist is forced to deal with plotlines established in Daredevil. Iron Fist felt shoehorned at times into those Daredevil plots and an obligatory show while we wait eagerly for the Defenders. Again, I feel the cast and crew of Iron Fist did the best they could do with a tricky main character like Danny Rand while servicing the greater Netflix Marvel television universe instead of primarily itself.

THE VERDICT

I have waited a long time for Iron Fist to get here and I am very happy with the results. Personally I enjoyed it quite a bit. Netflix does a good job of setting up the world of Iron Fist and presents viewers with a different hero than Daredevil or Luke Cage. While the story is true to the comic it isn't my favorite Iron Fist story nor the best story they could've adapted from Iron Fist's canon. But it is a great place to start the character. I can't wait to see Iron Fist again later this year in Netflix's DEFENDERS! I do hope that we eventually see a second season too. I'd like to see them take more time in refining it and I'd like to see the Daredevil crew take a crack at Iron Fist.

Overall Ranking: 6 out of 10



For more examination and fandom of Iron Fist check out the posts below!



And for more of the MARVEL CINEMATIC UNIVERSE check out these other posts!



Tuesday, March 21, 2017

TOP TEN GIANT MONSTER MOVIE CLASSICS

TOP TEN GIANT MONSTER MOVIE CLASSICS

With King Kong recently returning to the big screen, the 2014 American reboot of Godzilla and Godzilla making his Japanese comeback last year, plus 2015's Jurassic World and 2013's Pacific Rim one might say that...

 Giant monster movies are back!

Kong: Skull Island was my most anticipated film for March 2017 and perhaps my most anticipated film for all of 2017. And it looks like next year we'll be receiving the long awaited PACIFIC RIM 2 and Jurassic World 2, 2019 we'll see the sequel to the 2014 Godzilla reboot, and then finally in 2020 (if all goes as planned and these movies make money at the box office) we'll be treated to KING KONG VS GODZILLA.

In spirit of this new dawning age of giant monster movies I wanted to take a look back at the first age of giant monsters. During the 1950's and 1960's giant monsters loomed large on the silver screen. With the classic Universal Monsters like Frankenstein, Dracula, and the Wolf Man having run their course at the movie theaters for a period, the new batch of monsters were far bigger, primal and animalistic, born of the atomic age and space age. New frontiers in science and space exploration provided the means and origins of these new monsters rather than the old world superstitions.

These were new monsters for a new era.

As many of you know, I love giant monsters and have since I was a little kid. Below is a list of my favorite classic giant monster movies. There are few parameters for this list. I've excluded Asian monster movies from this list because I could write several lists just on them. So no kaiju films, despite a few kaiju in the picture above. I've also kept the list to basically the golden age of giant monster films, roughly the 1930's through the 1960's. So no modern monster movies like Cloverfield or Peter Jackson's King Kong.

So, without further adieu, on with the list already!

I've included bonuses as usual but these two bonuses are quite the opposite of the films making up the top ten.

Enjoy!






#12
THE GIANT CLAW
Release Date: 1957
Directed by Fred F. Sears
Special Effects by Ralph Hammeras and George Teague

A giant prehistoric bird wreaks havoc across the world.

So... it's a remake of RODAN. All right, some monster movies are not to be taken seriously. The first two films on this list are such films of the "So bad it's funny" variety. I love them dearly but you do truly enjoy these films more if you're laughing. The Giant Claw is pure entertainment.

Jeff Morrow, known for such sci-fi horror classics as THE CREATURE WALKS AMONG US and THIS ISLAND EARTH, stars as Mitch, the only man who can possibly save the world from this monstrous threat. I am obligated to like this movie ;)








#11
REPTILICUS
Release Date: 1961
Directed by Sidney W. Pink
Visual Effects by Kai Koed

A piece of a tail of an ancient creature is discovered. The tail regenerates the rest of the creature and it proceeds to wreak havoc.

Reptilicus is a genuine classic of "so bad it's funny" films. What's interesting is the design of the monster, if it had been well executed, would've made for an incredible monster. As it is the monster was brought to life using marionettes and hand puppets (not inherently bad means of execution, but executed badly here).

To be clear, this is not giant monster movies at their finest. But you can't help but love it because of how bad it is. No giant monster collection is complete without the train wreck that is Reptilicus.







#10
 GORGO
Release Date: 1961
Directed by Eugene Lourie
Visual Effects by Tom Howard

A giant monster stalks the waters off the coast of a small fishing village in Ireland. When money-grubbing capitalists capture the creature and transport it to London for live exhibition, its much larger mother arrives to reclaim her child. The adult monster is so massive no weapon on Earth can hurt it. How will man deal with such a force of nature?

Gorgo is a true giant monster movie classic. Eugene Lourie directed three giant monster movies and Gorgo was the last of them and the biggest. Unlike most of the films on this list, Gorgo follows in the footsteps of Asian monster movie cinema in which the monster is brought to life via a man in a monster suit. The actor playing Gorgo rampages through a model version of London a la Godzilla. What makes Gorgo stand out is that introduced the plot of a monster causing death and mayhem only to retrieve its offspring.

It's like the movie TAKEN if Liam Neeson were a 200 foot tall monster.







#9
THEM
Release Date: 1954
Directed by Gordon Douglas
Special Effects by J. Leslie Asher, Dick Smith, and Robert Turner

Ants, mushroomed to the size of cars by nuclear bomb tests in the desert, wreak havoc in the American Southwest.

Most of the movies on this list are considered science fiction fantasy films. THEM is one of two on this list that fall into the Horror category. Well directed and well executed, Them was one of the earliest films to broach the subject of the effects of atomic testing on nature. In this case, the radiation turns ordinary ants into giant sized monsters. They may be the smallest monsters on the list but considering where they started these ants are genuinely colossal.

Staring James Arness from Gunsmoke fame and the 1951 horror classic THE THING FROM ANOTHER WORLD, Them is both fun and horrifying (if you suspend your disbelief a bit, of course).







#8
 THE GIANT BEHEMOTH
Release Date: 1959
Directed by Eugene Lourie
Special Effects by Willis O'Brien

Atomic tests in the ocean awaken an aquatic dinosaur from the deepest depths. Those who've sighted the beast believe it to be the great behemoth written of in the Bible. Wherever the creature travels it leaves a trail of deadly radiation in its wake. The monster looms close to London and must be stopped before the great British city is razed completely.

It's a fairly standard plot in the vein of Godzilla and the Beast From 20,000 Fathoms but what makes this film special and a personal favorite of mine is the monster and the stop-motion animation of Willis O'Brien. I'm gonna repeat myself many times down the list here, but high quality stop-motion animation is a rare thing and quite incredible to see. The Behemoth looks quite good in both animation and design. And even though the plot is familiar it is quite engaging and well done.

For only having directed four feature films, three of Eugene Lourie's films are giant monster movies, The Giant Behemoth being essentially a remake of his first film, The Beast From 20,000 fathoms.






#7
CURSE OF THE DEMON
Release Date: 1957
Directed by Jacques Tourneur
Special Effects by George Blackwell

Professor Harrington dies under mysterious circumstances. His colleague, parapsychologist John Holden arrives in London to investigate. There he discovers a devil-worshiping cult, their leader claiming a demon was responsible for Harrington's death. Holden sets out to disprove the cult's beliefs in magic and demons as mere superstition. But when the cult leader curses Holden to die at the hands of a demon, Holden's skepticism begins turning into genuine belief. Supernatural events start occurring around him the closer the demon gets.

Of all the movies on this list, CURSE OF THE DEMON stands alone as having the one giant monster that's a genuine demon of Hell. Again, the monster is seldom seen in the movie but each time it comes on screen it is a sight to behold. I love this movie, not only for the monster, but for the strength of its story. You're just as enthralled with the story when the demon's not on screen too. Directed by Jacques Tourneur, the horror master responsible for I WALKED WITH A ZOMBIE and CAT PEOPLE, turns out one of his greatest thrillers here and George Blackwell delivers one of the most unique and frightening giant movie monsters ever.









#6
 THE VALLEY OF GWANGI
Release Date: 1969
Directed by James O'Connolly
Special Effects by Ray Harryhausen


During the early 20th century a group of cowboys from a traveling western stunt show discover a hidden valley in the Mexican wilderness where dinosaurs roam! A massive carnivore stalks onto the scene eating cowboys and dinosaurs alike. Local gypsies believe the carnivore to be an ancient demon named Gwangi. During a rockslide Gwangi is rendered unconscious and the cowboys tie the monster up and transport the beast to Mexico City. In the city Gwangi breaks free and all hell breaks loose!

Cowboys versus Dinosaurs! What more need be said? The Valley of Gwangi is truly a one of a kind film. From the mind of King Kong creator Willis O'Brien, completed after O'Brien's death by Ray Harryhausen. Gwangi is one of the best dinosaur/monster movies ever made. There are scenes in this film which directly inspired scenes in Spielberg's JURASSIC PARK.

The highlights of the film are undoubtedly everything with the title character Gwangi. Gwangi is one mean beast. At first he appears as if he's just an ordinary Allosaurus but there are hints of him being something more. The gypsy characters create a demonic aura about the character and Gwangi's personality certainly reinforces that. He is one mean malevolent beast. This isn't a list of the best dinosaur movies but Gwangi goes beyond being a simple dinosaur much like Bruce in JAWS goes beyond being a simple shark.








#5
THE BLACK SCORPION
Release Date: 1957
Directed by Edward Ludwig
Special Effects by Willis O'Brien

The Black Scorpion wasn't the first film about giant insects nor was it the last. But it is probably my favorite. Giant man-eating scorpions are released from a subterranean cavern by a volcanic eruption. These gargantuan arachnids are loosed upon the Mexican countryside, killing and eating humans wherever they find them. The fate of the world rests with two geologists searching for the creatures weaknesses.

First off, this film's stop-motion animation was done by non-other than the pioneer of the art and King Kong creator, Willis O'Brien. In King Kong there was a deleted scene in which a group of sailors fall into a pit and are eaten alive by a host of monstrous insects and creatures. Known as the "Spider-Pit" sequence, this is perhaps the greatest and most sought-after deleted scene in the existence of cinema. The Black Scorpion is probably the closest many fans will ever get to seeing the Spider-Pit sequence.

The movie definitely has a 50's pulp sci-fi horror feel but has tremendous imagination too. Even though it's considered a B movie, everyone involved takes the content seriously and grants the movie that extra gravitas. Starring Richard Denning of Creature From the Black Lagoon fame, highlights of the film include the subterranean sequence, the train attack (in which two scorpions rip people to shreds), and the attack on Mexico City.








#4
 20 MILLION MILES TO EARTH
Release Date: 1957
Directed by Nathan Juran
Special Effects by Ray Harryhausen

A rocket ship crash lands in the ocean just off the shores of Italy. Before it sinks to the bottom of the ocean, two crewmen are rescued. One dies of a bizarre disease and the other starts raving about a mission to the planet Venus and a alien specimen brought back to Earth. Soon reports of a strange creature roaming the Italian countryside begin cropping up. The longer this creature breathes Earth's atmosphere the bigger it grows, eventually towering over the buildings of Rome and climbing atop the legendary Roman Colosseum.

The Ymir, the monster of this film (unrelated to the Frost Giant of Norse Mythology) is one of my top favorite movie monsters. I love the look and design of the creature as well as the idea behind it. It's a native Venusian creature that, on its own planet, doesn't get much bigger than a human. In Earth's atmosphere however it grows larger and larger at an incredible rate. Ray Harryhausen imbues the Ymir with incredible personality and life. There's an extremely interesting backstory about the mission to Venus that is only hinted at in the movie.

Highlights of the film include the Ymir's hatching sequence, the dog attack in the barn (all done brilliantly in shadow), the battle with an elephant, and the attack on Rome.









#3
THE BEAST FROM 20,000 FATHOMS
Release Date: 1953
Directed by Eugene Lourie
Special Effects by Ray Harryhausen

The Beast From 20,000 Fathoms was the beginning of a new era in monster movies, the Atomic Age. An atomic bomb test in the Antarctic awakens and releases a giant prehistoric dinosaur from the ice. The monster, dubbed the Rhedosaurus, takes to the ocean, sinking ships and destroying lighthouses. Eventually the monster makes landfall in a major city and begins wreaking havoc. Later scientists discover that where the beast has walked leaves heavy traces of radiation, killing those who come into contact with it.

Sound familiar? Beast became a template for countless monster movie concepts afterwards including the great GODZILLA and GAMERA. The whole first act of the original Gamera film parallels Beast fairly closely, including a recreation of the iconic Lighthouse Destruction sequence. The major highlights of the film are certainly the Lighthouse scene, the attack on the city in broad daylight, and the final sequence at the roller-coaster park where a young LEE VAN CLEEF fires the shot that saves the day. The simple yet frightening design of the Rhedosaurus is one of the enduring aspects of the film too.

This movie was Ray Harryhausen's first feature film on his own and written by the legendary Ray Bradbury. It was directed by Eugene Lourie, a man who contributed four legendary sci-fi films in his short directing career, three of which are on this list, Beast completing the Eugene Lourie trifecta! Beast is without a doubt his greatest achievement, also his first film.







#2
THE 7TH VOYAGE OF SINBAD
Release Date: 1958
Directed by Nathan Juran
Special Effects by Ray Harryhausen

Easily my favorite of all of Ray Harryhausen's films and one of the best fantasy films ever made. This movie was my first exposure to Harryhausen and I instantly fell in love with the creatures and world he had created. Not only are we treated to one giant monster, like many of the films above, but a whole host fantastic creatures. Based on the legendary tales of the Arabian Knights, this movie features a mysterious island, a magic djinn, a re-animated skeleton, giant cyclops, giant two-headed birds called Rok, and an even bigger fire-breathing dragon.

Highlights of the film include an energetic score by Bernard Herrmann, a fast paced plot loaded with fight scenes and physical action, and an epic opening sequence featuring the dreaded Cyclops. The island of Colossa, the mysterious location where the bulk of the story takes place, is as wonderful and exciting as Skull Island in King Kong.

The scope and grandeur of Harryhausen doesn't get much bigger than this. Of course you'll have noticed that JASON AND THE ARGONAUTS and CLASH OF THE TITANS, probably Harryhausen's best known films, are not on this list. First off, Jason doesn't really have any giant monsters in it other than Talos. Second, Clash, while it has the awesome Kraken, never really struck a deep cord with me. It's not that I don't like either of those movies, I do very much, but I merely prefer others.






#1
KING KONG

Release Date: 1933
Directed by Ernest B. Schoedsack and Merian C. Cooper 
Special Effects by Willis O'Brien

The original King Kong is my all time favorite movie of any genre. When it came out there were no other movies like it. Incredible larger than life action and adventure. Not only does this movie have Kong, but also numerous dinosaurs and strange prehistoric beasts. As far as giant monsters are concerned this movie has around a half dozen. This movie has more giant monsters than most, giving us more monsters for our buck.

Kong was brought to life through "Stop Motion" Animation, a technique pioneered by Willis O'Brien, the mentor and inspiration of Ray Harryhausen. Willis O'Brien's first full length feature film was the 1925 silent film THE LOST WORLD. Based on Sir Arthur Conan Doyle's classic story, this movie featured Stop Motion dinosaurs in full glory, including a Brontosaurus rampaging through downtown London. The foundation for what would eventually lead to King Kong was laid here.

I never get tired of watching King Kong. It's a prime example of judicious film making. There isn't a single superfluous shot in the film. Highlights of King Kong are the entire Skull Island sequence and Kong's rampage through New York City.



And there you have it!

Did I miss any of your favorites? List your favorite giant monster movies in the comments below!

Thanks for reading and I hope you enjoyed the list! 

And go out and support KONG: SKULL ISLAND's box office. It's a good movie and well worth the money.

For more top ten lists check out the lists below!




Thursday, March 16, 2017

MONSTERS UNLEASHED: A CELEBRATION OF AN ERA

Hello everyone! As some of you may know, I am writing for the website COMICONVERSE. I have been covering the current comic books from Marvel Comics and BOOM! Studios such as Doctor Strange and Kong of Skull Island.

For myself and anyone else interested I am documenting each of my articles here at Blood Work.

If you haven't checked out this latest article here you go!







Between the golden age and silver age of Marvel super hero comic books there existed an age of monsters. During the 1950's and early 60's the entertainment world was dominated by giant monsters and so was Marvel comics. Now these strange beasts created by Stan Lee and Jack Kirby have all but disappeared. The current Marvel story event, Monsters Unleashed, is a celebration of an era in Marvel's history long forgotten.



Click on the link above to read the article.  
And of course tell me what you think!
CHECK OUT MY OTHER REVIEWS FOR COMICONVERSE

 
 





Friday, March 10, 2017

SILVER TONGUED SILVER SCREEN: KONG SKULL ISLAND (2017)


It's King Kong!

Perhaps the greatest movie monster of all time is back! The original King Kong debuted way back in 1933 and has had an incalculable influence on cinema. Arguably no other film has inspired as many filmmakers either, from Ray Harryhausen and Eiji Tsuburaya to Peter Jackson and everywhere in between, and the films of those filmmakers have gone on to inspire the following generations. The legacy of Kong is tremendous and a daunting legacy at that. I saw the original King Kong as a child of three or four and it became my all-time favorite film and still is to this day (tied for number one on my top ten films with the original Godzilla).

Since the trailer debuted in July of 2016, I've been extremely excited for the release of KONG: SKULL ISLAND. It's been twelve years since Peter Jackson's King Kong remake. Even though the film was more than double the length of the 1933 original, Peter Jackson's film was largely a faithful retelling of the original movie. The 1976 remake as well was a fairly faithful adaptation. But while Peter Jackson's King Kong may be the most familiar rendition of Kong with audiences today, there exists a wildly different version of Kong in cinema, a version that hasn't been seen since 1967.

Director Ishiro Honda and special effects master Eiji Tsuburaya, the men who gave the world Godzilla, contributed their own version of Kong in the 1962 film KING KONG VS GODZILLA with a follow-up film in 1967 titled KING KONG ESCAPES. In the former film Kong is far bigger than he's ever been before, 150 feet tall, big enough to go toe to toe with Godzilla himself. That version of Kong was more of a unique creature and less an oversized gorilla.

Instead of remaking the original Kong, KONG: SKULL ISLAND resurrects the Godzilla-sized monster that is Kong.

THE PLOT

The year is 1973. The Vietnam War has just ended. Before all the troops are sent home a group of soldiers are sent on one last mission. An island, previously unknown, was recently discovered via satellite. The mission: A routine mapping expedition. They travel to the island by ship and fly in with helicopters. Once there they begin dropping seismic charges all over the island to map the geology. Suddenly an ape-like creature, taller than a building, swats them out of the sky. The survivors begin trekking through the jungle terrain to reach the rendezvous point. They soon realize that the giant ape isn't the only bizarre creature on the island. One by one the troops are killed by frightening monsters until only a small handful remain. Getting from one side of the island to the other proves a life or death battle. Who will survive? And what will be left of them?

WHAT I LIKED

Monsters Galore! One of the aspects of a great Kong movie are the myriad creatures populating Skull Island. One might even say it is the most important aspect of a Kong movie. Peter Jackson's King Kong had more monsters than the previous films and likewise Skull Island gives Jackson's film a run for its money. And the monsters are new too and some of them are downright frightening. This film doesn't try to upstage the prior films either by redoing scenes (like the T. Rex fight) yet again but instead offers up completely new monster battles and scenarios.

Something New and Something Old. Even though this is technically a franchise reboot it feels like we're getting something completely new. The beginning is fairly similar but once we get to the island the story becomes its own and not a remake. Kong doesn't leave the island like he does in every other film. Kong doesn't die at the end either. And the journey for the human characters simply becomes surviving and getting off the island. But within this new take are numerous nods and references to older films, not just Kong films but other similar styled movies too. There's a line from Jurassic Park spoken by Sam Jackson himself as well as a scene inspired by Jurassic Park III. There's an homage battle scene right out of King Kong Vs Godzilla. There's even a death of character right out of King Kong Lives. And of course references to scenes from the original film, scenes not present in this film.

Pushing the limits of PG-13. This is probably the closest we'll ever get to experiencing an R-Rated Kong film. The violence in this movie is graphic and copious. There was even a death scene that kinda disturbed me. Henry Jackman composes the music for the film and delivers an awesome score, both action packed and frightfully unnerving at times. There's lots of swearing, even an F-bomb dropped. And the action is fantastic! Even breaching the fog bank surrounding the island was intense and awesome. The actors for the most part deliver fine performances too.

NITPICKS

I really enjoyed this movie and as such there wasn't much I didn't enjoy about it. There is a scene where it seems like Kong sneaks up on Brie Larson which seemed a little odd. There's some dialog that probably should've been cut out too, a few moments of forced levity that maybe don't work as well as the filmmakers had wanted. I was skeptical about John C. Reilly and Brie Larson at first but they came through in the end and delivered good performances. I can also see some audience members maybe balking at Kong's sheer stature in this film, those people used to the decisively smaller Peter Jackson Kong. This Kong, as far as his size is concerned, felt more in tune with the Kongs of old and much closer to Kong's roots than Peter Jackson's 25 foot tall silver back gorilla did.

THE VERDICT

Certified FRESH by Rotten Tomatoes and Certified Awesome by me, Kong: Skull Island elevates the intensity and monster action higher than any other Kong film before it. The monsters are scary and awesome altogether. As a Kong fan I thought this movie delivered and as a fan of simply exciting movies this film succeeds. Make sure and stay to the end of the credits too! If anything will hurt this movie it's that it was released in March with so much competition surrounding it. The box office returns the film receives will likely be less than what the movie deserves. Regardless, this is a well executed movie. I liked it far more than the 2014 Godzilla film but not as much as Pacific Rim.

Overall Ranking: 8 out of 10


In case you didn't catch that this film and 2014 Godzilla film occur in the same universe, THEY DO!

Check out the links below for more reviews of recent giant movies.








Friday, March 3, 2017

SILVER TONGUED SILVER SCREEN: LOGAN (2017)


March 2017 is here, perhaps the most packed and craziest month for movies of the year! Every single Friday this month sees the opening of a huge blockbuster movie. The first film this month is none other than the tenth film in the X-Men franchise: LOGAN. This is the ninth film that actor Hugh Jackman has played the character Wolverine, a career which began almost 20 years ago with the 2000 film X-MEN. No other actor has played a Marvel super hero character as many times as Jackman. And this is purportedly his last appearance as the character.

Just as noteworthy is this is Patrick Stewart's final performance as Professor X, a role he's played a total of seven times since 2000. Patrick Stewart was the perfect casting for Charles Xavier. He was the only real person for the role ever since he was "fan-casted" in an early 1990's issue of Wizard Magazine. This truly is the end of an era.

This film is one of my most anticipated films of the year. First off, it is supposedly a true blue Rated R super hero film. In the current super hero movie climate rated R films are balked at. Deadpool changed all that last year by grossing more money than Superman and Batman combined (I never saw that coming). There was an Rated R extended cut of 2013's THE WOLVERINE but the film was still always intended to be PG-13. I really enjoyed that film, one of my favorite X-Men films. The director of The Wolverine, James Mangold, returns to direct Logan and I couldn't be happier. Also, instead of being shoehorned into a Rated R film, Logan was filmed with the intent of being Rated R the whole time.

The Trailer. Set to Johnny Cash's cover of the song HURT, the trailer for Logan looked insanely good, so good in fact many have wondered if it was the song that made the trailer so good or if the movie itself is actually that good. Logan is also loosely based off the beloved Wolverine story OLD MAN LOGAN, increasing the hype surrounding the film. Needless to say, there is a lot of anticipation here.

THE PLOT
(some spoilers)

The year is 2029. Mutantkind has been all but wipe-out by a government group called the Reavers. Three mutants remain: Caliban, Charles Xavier, and Wolverine. Charles' has a degenerative mental disease. As his mind deteriorates the more unpredictable and dangerous his powers become. Then a new mutant child arrives on their doorstep, a host of Reavers hot on her trail. Caliban is captured and the others go on the run.

WHAT I LIKED

R-Rated. Finally, a movie where we really get to see what kind of damage Wolverine's claws actually inflict. The violence is intense and bloody. There's swearing and cursing galore too, some of it is just rather gratuitous though and doesn't feel natural. There's even a bit of nudity. All the hallmarks of a classic Rated R film are present. When I first saw X-Men in 2000 I never imagined I'd see a Wolverine movie like this one day.

A Marvel Western. One of the aspects of director James Mangold's films that I like are his affinity for westerns. He directed COP LAND, an urban western with Sylvester Stallone, the remake of 3:10 TO YUMA with Russell Crowe, and others. Mangold is a pro at depicting interesting character studies. Both of his super hero films, The Wolverine and Logan, are unlike any other super film out there. Logan functions as an urban western, at one point drawing upon the classic western SHANE. Then the movie becomes a version of LONE WOLF AND CUB with Logan and X-23 on the run. And finally it becomes a rendition of the John Wayne classic, THE COWBOYS. All these elements combine to create an exciting plot and an incredible movie.

The Characters. At first I wasn't sure what to think. It took a while to get used to where we find Professor X and Logan in this movie. But once a few things were made clearer and plot points revealed I was sold. I had never seen or read an interpretation of the characters like this. Even X-23 I was unsure of at first. But the actors, direction, and writing made sense and sold me on it all.

NITPICKS

I really liked this movie so I don't have too many nitpicks. Like I said earlier some of the swearing didn't seem natural. What exactly is poisoning Wolverine too was unclear. I also guess adamantium can penetrate adamantium... I didn't think that could happen. Whatever. It works for the movie. My only wish would be that the clone in the movie would've been Liev Schreiber's Sabretooth instead. Schreiber's Sabretooth was one of may favorite parts of X-Men: Origins, and if you know the comics, Sabretooth is key to Wolverine's story. Sabretooth needed to be in this movie. Sadly, he is not.

THE VERDICT

Maybe it's the freshness of the movie or my disappointment with last year's X-Men: Apocalypse, but I seriously feel like Logan was perhaps the best X-Men movie I've ever seen. Next to the 2013 film, The Wolverine, this is my favorite depiction of Wolverine. Also, who'd have thought that we'd receive two major motion pictures featuring the character Caliban in under a year? While not perfect, Logan is pretty awesome and unlike any super hero film out there. Usually I feel like other studios should take cues from Marvel Studios when making their super hero films. This time I wish Marvel Studios would take some cues from Fox in regards to considering an Rated R, humorless movie. Ghost Rider anyone?

Anyway, I really liked Logan. Sabretooth missing from the film though is the only significant drawback.

Overall Ranking: 8 out of 10
Nude-O-Meter: 1 out of 10



For more Wolverine and the X-Men check out my other reviews below!


And for more comic book movies check out these as well!