Friday, January 18, 2019

TOP TEN LEAST FAVORITE HULK STORIES

TOP TEN LEAST FAVORITE HULK STORIES

Welcome, one and all, to the first ever LEAST FAVORITES list!

The idea of doing a "Least Favorites" list comes courtesy of longtime friend and true blue supporter of Blood Work, Chris. Love you, buddy!

For those who don't know, The Incredible Hulk is my all time favorite comic book character, super hero, and perhaps even literary figure. I love the Hulk! I have loved him since I was in single digits watching the Bill Bixby/Lou Ferrigno television show in syndication. My collection of Hulk comic books comprises the largest portion of my comic book collection. I nearly have them all, if you can believe it! After having read the stories of this character for most of my life, I've developed preferences in terms of the Hulk's portrayal. There are areas of the Hulk lore that I absolutely adore, areas which are okay, areas that are forgettable, and areas I loathe (which is worse than forgettable).

Like the title says, this is a list of my least favorite Hulk stories. The stories here range from dislike to utter hatred. Let me state that, though I may not like these stories, I am in no way saying that these stories are in fact "bad." Some of these stories are mere victims of circumstance. Some are growing pains of the story, necessary development of the character. And some, I daresay, are in fact purposefully different to explore new territory. Sometimes these writers are allowed complete autonomy and sometimes they're dictated what to write.

The intent of this list isn't to bash anything or belittle the hard work of others. What lies beneath is a list of my own opinions and nothing more.

WARNING! WARNING! BEWARE! TURN BACK NOW!

Shh! Quiet!

'Haha' nevermind that... just a fair word of warning... I start off rational and collected before descending into madness by the end of this...

Enjoy!


THE BONUS



#11
BENDIS HULK
Brian Michael Bendis is one of comicdom's super star writers. God's gift to comic books, some might even say. He sells comic books just because his name is on them, not necessarily because of the characters or content therein. For a long while Bendis was Marvel Comics' number one writer. Marvel basically handed him the keys to the kingdom and said, "Do whatever you want." At least it seemed that way to me. He wrote every Marvel character under the sun or just about. But he very seldom wrote the Hulk.

  For the longest time I wondered why Bendis wasn't writing Hulk. It grew downright suspicious after a while. All these big events were happening, many orchestrated by Bendis, and Hulk was nowhere to be found. Or when the big Hulk events were happening, Bendis was nowhere to be found. "What gives, Bendis? Hulk not good enough for you?" I'd ask myself. I started realizing that Bendis' stories wouldn't work if Hulk was there. Hulk would save the day immediately and Bendis would have nothing to write. Hulk was too powerful for most of Bendis' stories. So it seemed, for a good number of years, Marvel cleverly side-lined Hulk from the main universe through various means to accommodate Bendis.

But after Marvel Studios' AVENGERS hit movie theaters in 2012, Bendis could no longer ignore the Hulk. He wrote Hulk in the little AVENGERS ASSEMBLE book, meant originally to be an out-of-continuity fun for all ages book that was congruent with the movie in terms of character roster. Then Bendis wrote Hulk into the AVENGERS VS X-MEN event. Hulk shows up as the Avenger's secret weapon against the X-Men at the eleventh hour, only to be schooled immediately after. Then Bendis wrote him in 2016's CIVIL WAR II in which Hulk's only purpose was to die. Yep, Bendis killed Hulk.

Long story short, the Hulk may be the only Marvel character Bendis dislikes. I didn't realize it, but Bendis not writing Hulk was a blessing in disguise. Alright, this isn't quite fair as Bendis never wrote a proper Hulk book, but every time he touched Hulk the results were terrible. That is unless you yourself hate the Hulk, in which case you'd probably want Bendis to write more with the Hulk.

So, all ranting aside, this is a bonus because Bendis barely wrote an actual Hulk story. But had he written a proper Hulk solo book, I can only imagine how terrible it would be. No, I know I'd hate it.




THE TOP TEN




#10
 EARLY STAN LEE HULK 

Incredible Hulk Vol. 1 #1 - #6, Tales To Astonish Vol. 1 #59 - #89 (May 1962 to March 1967)

Stan Lee and Jack Kirby created the Hulk. These guys get a pass as without them we wouldn't even have Bruce Banner/Hulk at all. But reading the early Hulk stories is rough. Believe it or not, Hulk, for the first several years of his existence, wasn't like the Hulk we know today. The Hulk's character was very much in flux, a work in progress for many years. He first appeared in 1962 but it wouldn't be until about 1967-68 when Stan Lee would finally nail down Hulk's now iconic persona.

The first five years of Hulk's comic career were fraught with "growing pains." Hulk was simpleminded but mean and almost straight up villainesque. He began as gray skinned, his transformations occurring at night, not by anger. Then with more gamma experimenting Hulk mutated many times, one of these mutations featured Banner's head atop Hulk's body, in which Banner wore a Hulk mask to look normal.

I thank Stan Lee and Jack Kirby for creating Hulk and especially Stan Lee for sticking it out for years trying to make Hulk work. Stan didn't give up on the Hulk and worked at it and worked at it until finding the Hulk we recognize today. But, man, those early stories are so very rough and strange. As a HUGE Hulk fan, I'd only recommend those early Hulk stories for the curious minded or the comic historians among us.

With Tales to Astonish #90, the first appearance of the Abomination, the Hulk story really gets going and finds its stride.







#9
PLANET HULK

WHAT?! PLANET HULK?! WHAT THE HELL, MAN?! THIS IS THE GREATEST HULK STORY EVER! YOU AIN'T A HULK FAN UNLESS YOU LOVE PLANET HULK!

I know, I know! Stop yelling at me already! I like Planet Hulk, I do! It's just not one of my favorites. Let me explain: Not long before this story saw print, I was deep diving the Hulk back issues like no other. The 300's and up were especially fresh in my memory as those are among my very favorite eras of Hulk books. Incredible Hulk #300 ends with Hulk being exiled from planet Earth by Dr. Strange and the other heroes. Hulk is exiled to The Crossroads, an inter-dimensional nexus to an assortment of other planets and realities where Hulk could do no harm nor be harmed (in theory). In one issue Hulk goes to a planet populated by red skinned people ruled by an evil king. At one point Hulk arrives, his vast power severely weakened, and ends up in bondage. Sound familiar? These stories were written by Bill Mantlo, a long time scribe on Hulk.

Later, I would discover that Planet Hulk's writer, Greg Pak, knows Hulk's history very well. Pak even cited Bill Mantlo's run as being tremendously influential on his own run. While I was reading Planet Hulk I was thinking to myself, "I've just read this already. This isn't anything new. This Greg Pak guy is just telling the same old Hulk story Bill Mantlo told, only dragging it out WAY too long." Oh yeah, and Planet Hulk is just Edgar Rice Burrough's JOHN CARTER series all over again too. Hell, Marvel even did their own adaptation of John Carter too! There is nothing new or special about Planet Hulk at Marvel at all it seems!

I guess I'm coming at Planet Hulk from a unique perspective. For those who haven't read Bill Mantlo's Hulk run or the John Carter of Mars books (or Marvel's John Carter adaptation), Planet Hulk is probably a revelation of comic book storytelling. In popular culture nowadays the only Hulk stories that matter, so they say, are Planet Hulk and World War Hulk. And my god, is that a shame because, man, Planet Hulk, to me, is nothing special and nowhere even close to Hulk's finest hour.

For the record, I like it. I think it's written well and the art is fantastic. But it's nothing new in terms of plot (John Carter). Nor is it particularly unique to the Hulk series either (Bill Mantlo did it in Hulk already way back when!). And it started Hulk down my least favorite era in Hulk history...

Planet Hulk is a great gateway story to Hulk comics, but, in my opinion, doesn't come close to the best Hulk stories.







#8
WORLD WAR HULK

WHAT IS WRONG WITH YOU, MAN?! FIRST PLANET HULK AND NOW THIS?! IS NOTHING SACRED TO YOU?! YOU'RE NOT A HULK FAN! YOU WOULDN'T KNOW A GOOD HULK STORY IF IT KICKED YOU IN THE BALLS!

Whoa. Whoa... calm down. I like World War Hulk. Just like I like Planet Hulk. Just because these stories are on this list doesn't mean I hate them. It just means I don't like them as much as I like others. Now, with that out of the way...  

Remember those Hulk back issues in the 300's? Yeah, the issues I just talked about which closely resemble Planet Hulk? Well, guess what happened when Hulk returned to Earth after being exiled to the Crossroads? He fought all of the super heroes! NO WAY?!

Yeah, if the parallels to Bill Mantlo's work and that era of Hulk comics weren't overt enough for you... Here's more! My God, Greg Pak was literally retelling Incredible Hulk #300 through #322. And what's worse is John Romita Jr's art. Now take all of this as my opinion only, but, man, I do not like John Romita Jr's art circa this period of his career. At least Planet Hulk had great artwork while retelling the same old story. World War Hulk gets double whammied because, not only is it another retread story (in sequential order from the last retread), but now the art is worse (again, just my personal art preference). You have these amazing covers by David Finch and these ugly crude interiors by JR JR.

I was excited for this because Hulk had never been elevated to such a status in Marvel, starring in his own company wide event no less! But the actual product itself... was lacking. And it all ends with the revelation that the heroes weren't to blame and Hulk just ruined the Marvel universe for nothing, in fact, becoming everything he feared he would be. Thanks, Greg. Thanks for proving Iron Man and the other heroes right for exiling Hulk in the first place.

So, Marvel, you just retold Hulk's exile and Hulk's return and battle against the heroes. Why not continue down this retread road and bring in a different colored Hulk next?!  Oh wait... ARE YOU KIDDING ME?! A THIRD RETREAD?! IN THE EXACT SAME ORDER AS IT WAS ORIGINALLY?! AND THIS DIFFERENT COLORED HULK IS A JERK TOO?!

Sorry, I started seeing RED. More on that later...

Wow, after lambasting two of Greg Pak's Hulk stories (his two biggest Hulk stories in fact), you'd think I don't like Greg Pak's Hulk at all. NOT TRUE! I actually really like Greg Pak's Hulk run. I really enjoy Pak's run on Hulk #601-635. I think Greg Pak is one of the best Hulk writers of recent years, Planet Hulk and World War Hulk just happen to be my least favorite sections of his Hulk writing career.






#7
POST ONSLAUGHT HULK

Incredible Hulk Vol. 1 #444 - #467 (August 1996 to August 1998)

As a rule, writer Peter David's work on the Hulk is by and far the greatest run/era in Hulk history, in my opinion. But it too has some low points. There was a point in Peter David's run where he was slowly fulfilling the prophecies established in The Incredible Hulk: Future Imperfect. Peter David was building towards something, something big.

Then Marvel Comics decides to conduct a mega event that would affect the entire Marvel line: ONSLAUGHT. Nearly every character would meet their end in the grand finale save for the X-Men and a few others. Bruce Banner was among the fallen... but not Hulk. Afterwards Marvel halfheartedly abandoned their original universe in favor of a new one: HEROES REBORN. In this new Marvel universe there was a new Hulk, not written by Peter David, and not exactly heroic either.

What Peter David had going prior to Onslaught was completely derailed post Onslaught. The intervening issues lose their charm and the stride he had for over one-hundred issues finally breaks. This is the moment where the entire volume descends towards its eventual cancellation. Despite some good artwork from Mike Deodato Jr. and Adam Kubert, the story bounces around from idea to idea. It never begins developing something bigger. Then there's the death of Betty, a result of Peter David working through his own personal life, namely a divorce.

This is where something once great falls apart.

 



#6
PAUL JENKINS' HULK RUN
Incredible Hulk Vol. 2 #12 - #28 (March 2000 to July 2001)

I don't have much to say about this section save for what it was attempting to unravel. The pinnacle of Peter David's run was the merging of Hulk's multiple personas into one composite being, the Professor Hulk.

Paul Jenkins begins his run by undoing all that work. This story introduces countless more personalities and even goes as far as to say that the Professor Hulk was no more than another of Bruce Banner's multiple personalities.

This may not be a bad story (I don't actually think any of these stories on this list are in fact "bad"), but it is disappointing to see elements of the Peter David's story dismantled like this. This is a list of my least favorite Hulk stories and this run just takes the story further away from what Peter David had built. Some may see it as a deepening of the mythology, and really that's what I should view it as. But I don't. I personally hold the Peter David Hulk run in regard like the X-Men fans regard the Chris Claremont run. Imagine reading a run on X-Men that actively eroded Claremont's narrative or reading a new Harry Potter book by a different author that broke apart J.K. Rowling's work. That's how I feel about this run.

It's really the Hulk fan in me that dislikes this story. After Peter David left the series in 1998 it would take another EIGHT YEARS before the Hulk series became "Good" again, in my opinion (and that was with the Planet Hulk story... wow, I am a hard person to please).








#5
JOE CASEY'S HULK RUN

Incredible Hulk Vol. 1 #468 - #474 (September 1998 to March 1999)

The run immediately following Peter David's departure. I harbor no ill will towards writer Joe Casey or any of the writers I've talked about here on the list. But it seems as if no one other than Peter David knows how to write the Hulk. And Greg Pak.

Joe Casey was merely an interim writer between Peter David and John Byrne. These issues are basically a study in "spinning your wheels." This section did contribute one element to the overall plot however, namely the identity of who actually killed Betty: THE ABOMINATION. The Abomination took a syringe of his gamma irradiated blood and injected it into Betty, effectively killing Betty for more than a decade.

I did not like this plot development one bit. It makes no sense. First off, there is no needle in the world that could penetrate the Abomination's skin. Second, Abomination had made a turn towards becoming an anti-hero (my personal favorite arc for Abomination). This "Revenge" play of poisoning Betty came out of nowhere and was extremely out of character for Abomination. And what's worse is that it would become Abomination's most well known exploit...

There are forgettable Hulk stories which aren't bad. And this section would've fallen into that category. But the bit with Abomination is why this section is among my least favorite Hulk stories.







#4
BRUCE JONES' HULK RUN

Incredible Hulk Vol. 2 #34 - #76 (January 2002 to October 2004)

The Incredible Hulk property was still struggling. John Byrne, Paul Jenkins, Sean McKeever, and other writers had failed to get any momentum going for Hulk (regardless of story quality). Then Bruce Jones (Bruce Banner and Rick Jones combined?!) comes along with an amazing idea: "Let's take the Hulk back to his Bill Bixby/Lou Ferrigno roots!"

The Hulk comic book becomes a wanderlust story with Bruce Banner "on the run" walking the lonely roads of Anywhere, USA. Banner wanders upon a small town with a problem that only Hulk can stop while being on the run from government agents. Bruce Jones would go on for a monumental run of 42 issues! Some truly magnificent artists would join Jones on this book such as Kaare Andrews, Lee Weeks, and including some of Mike Deodato Jr's best work in comics.

 But there was one major problem with this run. Bruce Jones threw previous continuity out the window. If you knew nothing about the Hulk and were reading this section you'd be fine. If you knew anything about the Hulk's previous adventures you'd be scratching your head every issue and saying, "That's not right. That makes no sense. What are they doing?!"

 Bruce Jones saved sales for the Hulk but made a MESS of the story. Marvel somehow convinced Peter David to return to the Hulk after Bruce Jones and basically had Peter David write a story to fix all the continuity problems created during Jones' run.

Yes, Bruce Jones made that much of a mess to where Marvel brought in another writer specifically to fix the problems.

To be fair, this run isn't too bad if viewed as "out of continuity."





 
#3
HULK: GRAY BY LOEB & SALE
Hulk: Gray is a six issue mini series that explored the earliest moments in the character's life, specifically the Hulk's earliest moments (not Bruce Banner's). Jeph Loeb and longtime collaborator and artist Tim Sale had produced two critically acclaimed comic books for Marvel, SPIDER-MAN: BLUE and DAREDEVIL: YELLOW. Hulk:Gray is the third of such stories and CAPTAIN AMERICA: WHITE is the last. Loeb and Sale produced some of their best work together at DC Comics with such essential Batman stories as BATMAN: DARK VICTORY and BATMAN: THE LONG HALLOWEEN. It seems whatever these two creators tackle together turned to gold.

The Gray Hulk is one of my most beloved aspects of the character. I was so intrigued with this idea of a different Hulk, not like the Green Hulk, but a Mister Hyde persona, darker, smart, and taking joy in making the villains suffer. From Stan Lee's very first Hulk issue through Peter David's epic development of the gray Hulk twenty years later, Gray Hulk has always been completely different from the simpleton Green Hulk. He's a smart and calculating jerk. But his abrasive personality really masks his feelings and insecurities. He's not actually a bad guy, he's just covering for the traumas he endured as a child.

Jeph Loeb misses everything about the Gray Hulk. EVERYTHING! Loeb's Gray Hulk is given the character of an even simpler Green Hulk, almost King Kong-like. Gray Hulk can barely speak in this series. It's like Jeph Loeb never read Stan Lee's Incredible Hulk #1 and never asked Peter David, "Hey fellow comics writer! What's the deal with Gray Hulk?" If this book was meant to explore Gray Hulk in greater detail and get to the core of his character, it failed spectacularly. Had it been the Green Hulk, which is the characterization Loeb is using, it would still fail because it is not representative of the Hulk at all in his earliest moments. Failure all around, folks!

But you know what, this actually is a very touching story. Loeb crafts a very beautiful story between Betty and Hulk. There's a scene with Hulk and Betty huddled together in a cave as it storms and rains outside. This scene would be recreated in the 2008 Marvel Studios film THE INCREDIBLE HULK. This moment, surprisingly, was lifted from a Stan Lee Hulk story in Tales to Astonish. Like some of the stories I already mentioned above, taken by itself without knowledge of any other Hulk story, Hulk: Gray is an endearing story.

But if you want to know specifically about Gray Hulk this story is a complete misnomer. Gray Hulk was nothing like this. If you want to know what Hulk was like in his very first outing this is not even close. All this story is good for is showcasing an example of Green Hulk's feelings toward Betty (but his skin is gray). And it's a good lesson is writing three dimensional characters. If you want to further your Hulk history and knowledge this book will only lead you astray.







#2
 JASON AARON'S HULK RUN
Incredible Hulk Vol. 4 #1 - #15 (December 2011 to December 2012)

The first story I ever read from writer Jason Aaron was his Ghost Rider book for Marvel. I remember loving it and thinking it was one of the best books I was reading at the time (he brought back my second favorite Marvel character: Danny Ketch!). Then I read his book Wolverine: Weapon X and thought it was amazing too. I was even onboard for Wolverine Goes To Hell because I had been won over by the writer (and it had Johnny Blaze, Danny Ketch, and Daimon Hellstrom in it too!).

The prospect of Jason Aaron writing my number one favorite character was exciting! The reality was a horror I could've never imagined...

I hate this book.

I don't think I've hated a story on this list so far. But I truly despise this book.

This series continues after Greg Pak's INCREDIBLE HULKS #635, a story that brought about an understanding and integration between Banner and Hulk and reconnected Bruce, Hulk, and Betty. It was perhaps the last truly great Hulk era and Hulk story up to this point (Immortal Hulk currently is proving to be the next great Hulk story!). Hulk was in a really good place at the end of that series and I wished it wouldn't have ended. Any way you slice it, the next Hulk creative team had a hard act to follow.

Marc Silvestri started this new series with some truly breathtaking art. But he lasted literally two and half issues before having to be replaced. The art from then on went from bad to worse all the way to the end. The only thing worse than the artwork was the writing.

Jason Aaron begins his volume with Hulk sporting a beard (which if you've read HULK: THE END you'll know he'd never do). Then you find out Banner and Hulk were separated and Banner has become a homicidal maniac and stereotypical mad scientist. And Hulk and Betty have a fight and leave each other. In the very first story arc Jason Aaron destroys everything Greg Pak built over the course of his entire run! RIGHT OUT OF THE EFFING GATE THIS BOOK BOMBS! To top it off this story is a repeat of a classic Bill Mantlo story, nothing original or novel at all. At least when Greg Pak mirrored classic Hulk stories it was mainly for the benefit of the title character and building towards something greater. This first story arc ends with Hulk killing Banner. The next story arc reveals that Banner has been reintegrated with Hulk and the two are struggling for dominance, oh and Banner's still bat-crap crazy. Somehow Kraven the Hunter gets involved, Hulk goes to space to fight cyborg Russian cosmonaut Bears. And Dr. Doom factors in somehow. Not the Leader. Not Thunderbolt Ross. Dr. Doom, because he's such a classic Hulk villain, you know.

The only good thing about this volume were those two and half issues of Marc Silvestri artwork. That and the fact that it only lasted one year (which was WAY too long).

And just as Jason Aaron completely ignored everything the previous writer and writers had done before him, so too did the next writer, Mark Waid, ignore everything Jason Aaron did. SWEET JUSTICE! Well, not quite. Because Jason Aaron had messed up the Hulk's story so much, Mark Waid had to start from scratch, unable to build upon what Greg Pak had done prior. Greg Pak had set up Hulk for greatness and Jason Aaron ruined it for everybody.

I can't tell you how much I hate this story.







#1
THE RED HULK

Hulk Vol. 2 #1 - #24 (January 2008 to October 2010) I'm stopping it with Jeph Loeb's departure from the comic, but otherwise to the present...

I nearly lost my $#!+ talking about the last entry on the list. I go completely insane talking about this chart topper of a turd right here. Read as I lose my mind and rant about Red Hulk here --

TO RULK OR NOT TO RULK?

Jeph Loeb strikes again! Loeb also ruined Nova too by doing virtually the same freakin thing. Jeph Loeb, Brian Michael Bendis, and Jason Aaron...

STAY THE HELL AWAY FROM MY FAVORITE CHARACTERS!!!

You see? I lose all sanity when talking about this!

To boil it down, this volume was titled Hulk but it wasn't about Hulk. It was General Thunderbolt Ross. I don't like being lied to. The writing had an inconsistent tone which I still can't figure out (is it serious or is it funny? Is it supposed to be shocking or schlocking? Is it for adults or kids? Are you even trying, Loeb, or are you pulling a Bendis and just cashing a check? How can you write some of the most amazing Batman stories ever written but churn out the most spectacular garbage at Marvel?).

Calm... calm... 'ahem' Sorry, folks. Nearly lost it there.

At the very beginning of issue #1, right out of the gate, Loeb kills off my favorite Hulk villain, Abomination... with a gun. Hulk... using a gun...

I-- I'm sorry, folks. Just read TO RULK OR NOT TO RULK? It's all there. The funny thing is, there are many people who love this story, who in fact love Red Hulk. I guess the word "love" is used loosely here. There are those who even clamor for Red Hulk to join the Marvel Cinematic Universe... To this I give a resounding NO!!

God, at least call him a different name... There are so many things wrong with General Ross going by Hulk, fundamentally wrong to the very core of General Ross' character. But does Jeph Loeb give a crap about character history, continuity, or the works of Stan Lee and Jack Kirby? Sure as hell doesn't seem like it.

Needless to say, when Marvel decided to pull this crap again with Hulk I said "I'm out!" I'm referring to THE TOTALLY AWESOME HULK volume where once again it wasn't Bruce Banner but someone else going by the name, Hulk. Fool me once, shame on you! Not falling for that crap again! I'm a completest, especially when it comes to Hulk. But Marvel burned me so bad with their Red Hulk crap that I didn't finish collecting that volume (the first Hulk volume I didn't complete!) and I said "No!" at the very first issue of Totally Awesome Hulk. I am NOT a Hulk Completest anymore!

DC Comics, please, I'm begging you, take Jeph Loeb and Jason Aaron. You've got Bendis (Thank you thank you thank you!). Do me one more solid and take Loeb and Aaron so they can't harm the Marvel Universe anymore... PLEASE!!!

Die! Die! Die, my darling!
All right... I'm done.

 No, I'm not really crazy. I prefer "Mentally Unbalanced" and other things like... "sad existence" "grown man baby" and other colorful terms.

Uuughhh... I really need to reassess my life... there is so much wrong with me...

I'm sad now 😓

Hope you enjoyed it as much as I did, haha!

For more Top Ten lists from Blood Work, check out these others below!

And as always, keep the blood flowing!

 TOP TEN INCREDIBLE HULK VILLAINS  
 
 
TOP TEN GREATEST TURTLES
TOP TEN JOHN CARPENTER FILMS  
TOP TEN CHILDHOOD CARTOONS
 

Tuesday, January 15, 2019

SUSPENDED ANIMATION: GODZILLA ~ THE PLANET EATER (2018)



I'm usually a traditionalist when it comes to Godzilla films. The plethora of Godzilla reinterpretations over the last two decade have been interesting but, for me, have grown tiresome. In many cases I look at these previous films and see something other than Godzilla. The 1998 Tristar Godzilla film felt more like The Beast From 20,000 Fathoms. Legendary's Godzilla felt more like the Gamera films of the 1990's. Shin Godzilla felt more like Neon Genesis Evangelion. And the Millennium era Godzilla films suffered from reboot after reboot, this section largely feeling directionless.

This Godzilla anime trilogy, being another among these many reinterpretations, managed to do something most of the others haven't: Maintain the true essence of Godzilla while reinventing the story. I came into this trilogy jaded and unexcited for yet another reboot and experimental Godzilla film. This final part of the trilogy sold me on this anime project and what it accomplished.

GODZILLA: AS INTERPRETED BY A GAIJIN

The Godzilla franchise, to me, has always been about more than merely giant monsters fighting each other and decimating cities. Perhaps this is why the franchise has endured for sixty plus years. The Godzilla anime trilogy from Toho Animation and Polygon Pictures is no exception. This anime trilogy accurately captures the true meaning of Godzilla, both the ethos and pathos of the character, and the context of the original film. It does this while pushing the franchise into new territory.

Not since 1984 has a Godzilla film managed to recreate the subtext of the 1954 classic while modernizing the franchise. Elements of this were present in the first two chapters of this anime trilogy but didn't reach fruition until the third chapter saw release. GODZILLA: PLANET OF THE MONSTERS and GODZILLA: CITY ON THE EDGE OF BATTLE, the first two parts of the trilogy, introduced high concept science fiction to the franchise and reenvisioned many classic characters and elements of the mythology. But both films, despite having individual titles, were unable to stand by themselves.

Just as the three heads of Ghidorah are not separate but one beast, so too are these three films.


GODZILLA: THE PLANET EATER showcases the ultimate vision of the filmmakers, the underlying themes, and exactly what Toho was trying to achieve with this highly experimental project. While all possessing individual subtitles, this trilogy is one film, a four and a half hour long film. The trilogy is a grand thought-provoking Godzilla epic unlike any Godzilla film that has come before. It possesses weight and gravitas and touches on themes and emotions purely Japanese. This third chapter brought all three films together in an insightful and intimately Japanese way.

This third film, in my opinion, elevated the previous two films. All the themes and ideas coalesce into a grand and exciting finale unique to the franchise yet more faithful to the spirit of the original Godzilla than most Godzilla films of the last thirty years.

THE PLOT

Godzilla has fallen into hibernation following the fateful battle with Mechagodzilla. Haruo rejected merging with Mechagodzilla's nano-metal, thus ensuring Godzilla's survival and Mechagodzilla's demise. Now Haruo and the rest of humanity have no other options for defeating Godzilla. Turning towards spiritual salvation offered by one of the alien races among them, the Exif, a group of survivors pledge their souls to the Exif's god, Ghidorah. Metphies, an Exif priest, prepares the way for Ghidorah the Planet Eater's arrival.

MY THOUGHTS

The best Godzilla movies are the films about more than just monsters and destruction. They're commentaries about the world we live in, the reality of what humanity has done to the world, and the dreams of a better world. The kaiju films of Ishiro Honda in particular possess themes and ideas beyond just a mere popcorn monster movie. Other directors in the Godzilla franchise too have managed to do this, but none have done it as consistently as Ishiro Honda. But lately the films of the series have been missing these larger themes and, in some cases, outright missing the point of Godzilla itself.

Watch out! This is going to turn into a thesis paper... I'm sorry, everyone.

The original 1954 film GOJIRA offered insight into Post War Japan and the Japanese Identity Crisis that resulted. This Godzilla anime trilogy recreates that scenario on a planetary scale. Mankind is fighting to reclaim their planet from an ultra powerful enemy, only to discover that the world that gave them birth has changed. Their reality that once was, now no longer exists. And this perceived enemy was in fact a monster of their own making: Their sins come back to punish them. Their belief in themselves and their abilities crumbles. Their faith in their leaders and technology fails. Then comes the collapse of their belief system, misplaced faith in leaders and ideology.

At its core this Godzilla anime trilogy is about a nation of people recovering from a devastating loss. They're trying to rediscover who they are as a people in a world that was once home, but now is a place they no longer recognize. These thoughts and feelings were what the Japanese people were dealing with with after World War II and at the time the original Godzilla film was made. The 1954 Gojira was an expression of these cultural crises.

Herein lies the paradoxical nature of Godzilla. Godzilla is, at his core, Japan's punishment for the sins of the past. Godzilla isn't a representation of America, but rather the personification their past atrocities and insurmountable guilt. And divine retribution. He's a reminder of how a nation of people lost their way and the resulting punishment for such transgressions. And as long as Godzilla endures Japan will always be reminded of their misguided past. Imagine you did something wrong and were constantly reminded of it everyday. Every time someone in Japan sees Godzilla they're reminded of the sins of the past. This nation should hate Godzilla, yet through the monster they are able to move on, and make peace with their sins. This Godzilla anime trilogy asks this very question to its characters: "Do you hate Godzilla?"

After everything the main character endures, he finally comes to an epiphany when contemplating, "Do I hate Godzilla?" Haruo, like Godzilla, is a paradoxical character (Haruo is named after Haruo Nakajima, the actor who originally portrayed Godzilla. In essence, Haruo is Godzilla). Haruo represents simultaneously the old world and the old ways of thinking. He's also their best chance for the future. Haruo ultimately sees a society of people who have learned to live in this new world and learned to see Godzilla as something to be feared but not hated. Haruo recognizes the hate within himself and how his hate could poison this new world. In the end Haruo sacrifices himself to Godzilla to rid the world of hate and old ways of thought, leaving the future to the next generation.

When you boil it all down, these are the themes and concepts being explored in this anime trilogy.

Surrounding all the heavy thinking and loaded subject matter is a true science fiction narrative. The first chapter featured Godzilla against Earth's military might. The second chapter featured Godzilla against highly advanced alien technology. This third chapter ups the ante with Godzilla against an unexplainable cosmic event: Ghidorah. In much the same way Mechagodzilla was reenvisioned, Ghidorah is reimagined as a hitherto unknown cosmological phenomena. This depiction of Ghidorah is unlike any before, almost as if it exists in a parallel universe intruding on our own. That's the scientific explanation. Another character attributes a purely spiritual explanation. Ghidorah is imbued with unparalleled menace and dread more akin to a demonic entity than a giant monster. It's a wonderful escalation of events and a perfect third act finale.

These high concept sci-fi reinterpretations of Godzilla's enemies are the high points of the trilogy. Except for Mothra. I loved the place holders for the Shobijin (the twin fairies), Maina & Miana. I loved the use of Mothra's golden dust. I loved the build up for Mothra's eventual arrival. But Mothra never arrives (at least not outside of a hallucination).

One of my criticisms of the first two chapters revolved around slow pacing. This third chapter isn't excluded from this criticism either, but moves along the fastest of the three parts. The film also treads some very heady esoteric grounds reminiscent of the more confusing episodes of Neon Genesis Evangelion (specifically the Human Instrumentality Project episodes that ended the original Evangelion series). These moments are quite dense and possibly confusing, yet so very "anime" in nature.

Overall I love how this final chapter brought everything together. The greater themes of the story come to the forefront, albeit slightly heavy-handed. But it is so incredibly refreshing and fulfilling to watch a new Godzilla film since 1985 that accurately captures Godzilla's spirit. Given this is a wild and far-flung setting and an insane realization of the characters. So much so that it will very likely alienate most viewers. Even so, I think Toho, with Polygon Pictures, has finally found a way to take the series forward without losing its meaning. It may not be the best way, but in the end it worked very well for me.

Overall Ranking: 8 out of 10
(Judging the three films as a whole)
A truly grand science fiction epic of the scope of Ran or The Samurai Trilogy


For more of my thoughts on the Godzilla franchise and kaiju goodness check out these other posts below.
 
THE SAGA OF THE KING OF THE MONSTERS

Part 8: Son Of Godzilla (1967)
Part 9: Destroy All Monsters (1968)
Part 10: Godzilla's Revenge (1969)   
Part 11: Godzilla Vs The Smog Monster (1971)  
Part 12: Godzilla Vs Gigan (1972)    
Part 13: Godzilla Vs Megalon (1973)  
Part 14: Godzilla Vs Mechagodzilla (1974)  
Part 15: Terror of Mechagodzilla (1975)      
Part 16: The Return of Godzilla (1984)   
Part 17: Godzilla Vs Biollante (1989)       
Part 18: Godzilla Vs King Ghidorah (1991)     
Part 19: Godzilla Vs Mothra (1992)        
Part 20: Godzilla Vs Mechagodzilla II (1993)
Part 21: Godzilla Vs Spacegodzilla (1994)
Part 22: Godzilla Vs Destoroyah (1995)
Part ???? Tri-Star's Godzilla (1998)
Part 23: Godzilla 2000 (1999)
Part 24: Godzilla Vs Megaguirus (2000)
Part 25: GMK Giant Monsters All-Out Attack (2001)
Part 26: Godzilla Against Mechagodzilla (2002)
Part 27: Godzilla: Tokyo S.O.S. (2003)
Part 28: Godzilla: Final Wars (2004)       

Kaijuology

BARAGON  
EBIRAH 
  GABARA  
GAMERA    GANIMES 
 GEZORA  
GIGAN  
  GUIRON 
HEDORAH
  MAGUMA    MANDA  MATANGO  RODAN  
 

Thursday, January 3, 2019

SUPER HERO CINERAMA: SPIDER-MAN ~ INTO THE SPIDER-VERSE


I could go on the rest of my life reading comics and be fine if I never read another Spider-Man story ever (unless it featured Morbius or Man-Wolf). But there is something about the character that just connects with people, even me. SPIDER-MAN: INTO THE SPIDER-VERSE reminded of how a truly great character Spider-Man is and how he connects to us all.

Spider-Man is not one of my favorites, but I gotta give respect where respect is due. There's a reason why Spider-Man is (arguably) Marvel's most popular character and this movie captures exactly why he is so beloved.

Spider-Man has been through many film iterations. It happens when they've been making Spider-Man movies since 2002. Even with all the different versions of Spider-Man, never did I ever imagine we'd get a film like Into The Spider-Verse. This movie is nuts and way out there, but that is exactly why it is so good.

THE PLOT

Miles Morales was just your average kid struggling to fit in at school and find his place in life. After being bitten by a radioactive spider, Miles starts exhibiting strange powers. Happening upon a battle between Spider-Man and the Kingpin, Miles witnesses Spider-Man's defeat. Kingpin activates his new super collider, opening a portal to the multi-verse. With Spider-Man's dying breath he asks Miles to destroy the collider. But Miles knows next to nothing about his powers, let alone how to stop a super villain like Kingpin. Luckily Miles isn't alone as a few familiar and not so familiar faces arrive to help.

INITIAL IMPRESSIONS

2018 has been a crazy year for super hero films. We've received a record breaking 9 super hero movies and most have been very successful. Crazier still is the experimentation being done with super-hero movies creating film experiences unlike most you've ever seen. This fact never felt more evident than while watching Spider-Man: Into the Spider-Verse.

I'm an avid and continuing comic book reader to this day and am fairly familiar with some crazy weird storytelling. But even I looked at the Spider-Verse comics and said, "that's too much for me."
I kinda felt the same way about the movie when it was first announced. But I've seen every Spider-Man movie in a theater since 2002. And strong word of mouth pushed me to begin the new year by going to the theater and seeing Into the Spider-Verse.

You know my stance on Spider-Man. Well, I had even less of a connection to the character of Miles Morales. But, wow, if I don't feel like I know him now. I enjoyed every minute of Spider-Man: Into the Spider-Verse. And it wasn't necessarily because of how crazy the concept was or even the action. This movie, at its core, is a very human story about real problems and real people. There were moments where the drama almost brought a tear to my eye. Take in this aspect along with everything else in the movie and you have something truly amazing and unique. On top of that this movie runs the gamut of emotions in natural and unexpected ways. I laughed a lot.

The voice actors were fantastic, surprising, and utterly delightful (yes, I'm including Nicolas Cage in that statement).

Visually there's nothing else like this movie. I found myself in awe while watching this movie based on the sheer level of detail and esthetics contained herein. How could one person have come up with all of these ideas on some many different levels? The answer is: they didn't. The collaboration involved here is astounding and it's truly remarkable how everything came together so wonderfully.

And of course seeing Stan Lee one more time was emotionally loaded too.

All in all, I came out of Into the Spider-Verse feeling very glad I had decided to go. I've seen all but two of the nine superhero movies this year (Incredibles 2 and Teen Titans Go! being the missing two), Spider-Man: Into the Spider-Verse was a surprise hit with me and among the better superhero movies I've seen (and not just this year, I mean).

Congrats, Sony. You nailed it with this one.

Overall Ranking: 7 out of 10

For the next Spider-Man animated movie I'd like to see is SPIDER-MAN 2099!

For more of my over-inflated thoughts on super hero cinema, check out these other posts below...

THE DC EXTENDED UNIVERSE (DCEU)

THE MARVEL CINEMATIC UNIVERSE (MCU)


 
Fox-Marvel, Sony-Marvel, and other stuff too!

 
 
 SPIDER-MAN 2099!!